Sarasota School of Architecture Homes for sale
The Sarasota School of Architecture is a distinctive regional style of mid-century modern architecture developed in Sarasota, Florida. These homes are prestigious and highly sought-after pieces of art history. You can browse Sarasota Modern homes, Mid-Century real estate, or homes in associated communities, directly below, or you can read more about the design philosophy and features of these homes further down.
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What Is Sarasota Modern Architecture?
Sarasota Modern Architecture, also known as the Sarasota School of Architecture, is a style of architecture developed on the west coast of Florida from the 1940s to 1960s and defined by simple and naturally ventilated spaces, light "floating" structures, and frugal construction mostly free of embellishment or ornament.
Ralph Twitchell is considered the father of the Sarasota School style, while his colleague Paul Rudolph is considered its philosophical leader. Other prominent names in the movement are Victor Lundy, Gene Leedy, and Tim Seibert.
Paul Rudolph was responsible for codifying the essential aspects of Sarasota School Architecture in 1947. Paraphrased, the guiding design principles of the Sarasota School of Architecture are:
- Uncomplicated spaces
- Respect for the local environment, including climate and native plants
- A clear and exposed structure
- Simplicity and efficiency
The use of modern techniques and materials to achieve these principles resulted in certain common features and details. For example, Sarasota Modern buildings tend to have...
- Flat roofs
- Simple, almost delicate lines (contrasting with the dense surfaces and shapes of many other modernist styles)
- Floor-to-ceiling glass walls and jalousie (slatted or shuttered) windows for natural light and ventilation
- Lush gardens filled with local plants
Sarasota Modern architecture is a combination of the popular International Style, characterized by rectangular shapes, open interiors, and simple facades using a lot of glass, and what is known as "organic" architecture, where buildings are designed to achieve harmony and unity with the local environment, climate, and scenery. This latter component was bourne out of the needs of building in Florida, namely, how to account for the hot weather (before the invention of air-conditioning) while still enjoying the beautiful scenery and sunshine.
Some notable Sarasota Modern buildings:
- Sarasota City Hall - Constructed in 1966 and designed by Jack West.
- South Gate Community Center - Constructed in 1956 at 3145 South Gate Circle and designed by Victor Lundy.
- Umbrella House - Located at 1300 Westway Drive in Lido Shores.
Where To Find Sarasota Modern Homes For Sale
There are many Sarasota School of Architecture Moderns all along the mainland coast of west-central Florida and on Siesta Key.
However, if you're looking for a higher concentration of Sarasota Modern homes, then Lido Shores is the neighborhood to visit.
Lido Shores is also popular because it has deep water bay access, gated private-beach access and is about 1/2 mile to St. Armand's Circle, a shopping and dining haven with over 150 shops. Many of the Lido Shores homes that face north (across New Pass), and some of the south (towards Sarasota Bay), feature deep water docks for large boats. There is also a south-facing shallow water bay for kayaks, canoes, and unmotorized boats. The majority of the Sarasota School of Architecture homes are on the interior roads as some of the ones on the water were demolished to make room for larger homes demanded of the waterfront land as most of the original homes were barely over 2000 Sq'. Most of the waterfront homes are Modern impressive designs intermingled with Spanish Mediterranean home styles. Of the remaining Sarasota School of Architecture homes, many have had additions put on to accommodate today's living requirements, and honor and maintain the historic value of the original architect.
Another community where you can experience authentic Sarasota School of Architecture dwellings is the guard-gated Sanderling Club, located on the west side of Siesta Key in the southern end of island, away from the hustle and bustle. This community features 25 beach cabanas that were designed by Paul Rudolph in 1952.
They also have tennis courts by the beach cabanas, as well as a deeded marina on the bayside.
For those who love the style and ethos of Sarasota Modern, or just love Modern Architecture in general, and are not looking for historic authenticity, there are many newer build options throughout Sarasota that a knowledgeable real estate agent can connect you with. The Arlington Park neighborhood as well as downtown Sarasota both have an abundance of beautiful homes and condos in the Modernist style.
How To Identify A Sarasota School Of Architecture Building Or Home
Many Sarasota Modern homes are not easy to spot from the street as they have fairly un-assuming facades. However, as mentioned before, there are a few common features to look out for, like clean horizontal lines, a flat roof, floor-to-ceiling glass walls, and broad overhangs for providing shade.
More generally, with Sarasota School of Architecture homes, there is nothing superfluous or "extra, everything is clear and purposeful with most of the elements of the building's construction being "out in the open". Simple, open spaces with adjustable exposure provide ample light and easily ventilated spaces.
Additionally, if you find a building designed by one of these architects, then you may have a legitimate example of Sarasota Modern architecture: Paul Rudolph, Victor Lundy, Gene Leedy, Ralph Twitchell, Tim Seibert, John Howey, Jack West, Carl Abbott, Phillip Hiss, Mark Hampton, Phil Hall, Jack Jetton, James Padgett, Frank Folsom Smith.
One hidden tell of Sarasota Modern architecture is Terrazzo floors. These polished cement floors can sometimes be hidden under carpets or tiles. Look for signs of a Terrazzo floor in liminal spaces like closets or thresholds. These make excellent targets for restoration.
Why Choose An Agent Knowledgeable In Sarasota Modern Architecture?
If you're interested in finding homes built according to a distinctive architectural style, it's important to have a knowledgeable and passionate real estate agent on your side. In the case of Sarasota Modern homes, for example, there are a number of reasons for this:
- Sarasota Modern homes can be hard to find. Not only are they hard to spot from the street, but they are seldom listed or labeled in a reliable way.
- Major real estate portals often don't recognize Sarasota Modern as a distinct category, while others use the term for marketing in a way that is misleading.
- A knowledgeable agent can provide information on the exact location and availability of properties based on specific styles
- A knowledgeable agent can also find homes that display similar design principles or philosophy depending on your preference or highlight upcoming builds by contemporary Sarasota Modern designers and architects.
Ultimately, if you like the ethos or design principles of Sarasota Modern homes, a knowledgeable agent can help you find contemporary builds that embody them, or home designers with the knowledge, passion, and expertise to bring them to life for you.
Buying & Owning A Sarasota School Of Architecture Home | What You Need To Know
Owning older homes with cultural or historical significance comes with its own advantages, challenges, and quirks.
Basically, you are buying a piece of historic art, a collectors piece if you will, and as such you must be careful how you handle and care for it. For many, it will have the feel of being a caretaker in a museum, or the owner of a particularly valuable piece of art, with all the care, responsibility, and prestige that that entails.
Some issues involved in owning an authentic Sarasota Modern home include:
- Flat roofs that need to be re-coated, or re-sealed every 10 to 12 years.
- Higher insurance for glass that isn't impact-resistant or rated for higher wind speeds.
- Extra flood insurance due to ground-level construction.
- Modern improvements and appliances can actually reduce the value.
- Finding specialist designers, architects, and builders to make appropriate changes or renovations.
However, there is always the option of buying a newer home that still conforms to or displays some of the Sarasota Modern style or design ethos. While not having the added interest and value of the real deal, these could help avoid some of the trickier issues around maintenance and renovation.
Learn more about many of the famed architects from the Sarasota School of Architecture:
Paul Rudolph, born in 1918, was a pioneering architect whose work significantly shaped the Sarasota School of Architecture, a movement known for its innovative and regionally responsive modernist designs. Rudolph studied architecture at Auburn University and later at Harvard University under Walter Gropius, a leading figure in modern architecture. In the late 1940s, Rudolph moved to Sarasota, Florida, where he became a central figure in the Sarasota School of Architecture. This group of architects was dedicated to creating structures that harmonized with the subtropical climate and landscape of Florida. Rudolph's work is characterized by its bold use of materials, open spaces, and a seamless integration with the environment. One of Rudolph's most iconic projects is the Walker Guest House, which exemplifies his ability to blend form and function. The design features a modular structure with movable panels, allowing the house to adapt to the changing environment and needs of its occupants. This project, along with others like the Cocoon House, showcases Rudolph's innovative approach to architecture. Throughout his career, Rudolph was known for pushing the boundaries of architectural design. His work extended beyond Sarasota, influencing modern architecture on a global scale. As the chair of Yale University's Department of Architecture, he played a crucial role in shaping architectural education and inspiring future generations of architects. Paul Rudolph's legacy is marked by his visionary designs and his contributions to the field of architecture. His work continues to be celebrated for its creativity, structural ingenuity, and sensitivity to the environment. Rudolph passed away in 1997, but his influence endures through his iconic projects and the continued relevance of the Sarasota School of Architecture. His designs remain a testament to the enduring appeal of modernist principles.
Tim Seibert (Edward John "Tim" Seibert), a distinguished figure in the Sarasota School of Architecture, was renowned for his innovative and modernist approach to design. Born in 1927, Seibert's architectural journey began after he studied at the University of Florida and later at the Massachusetts Institute of Technology. He became a pivotal member of the Sarasota School, a movement characterized by its emphasis on regional modernism, blending indoor and outdoor spaces, and utilizing climate-responsive designs.
Seibert's work is celebrated for its clean lines, open spaces, and integration with the natural environment. His designs often featured large glass windows, flat roofs, and a seamless connection between interior and exterior spaces, reflecting the principles of the Sarasota School. One of his most notable projects is the Hiss Studio, which exemplifies his commitment to creating functional yet aesthetically pleasing structures that harmonize with their surroundings.
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Throughout his career, Seibert contributed significantly to the architectural landscape of Sarasota and beyond. His projects ranged from residential homes to public buildings, each showcasing his ability to adapt modernist principles to the unique Floridian climate and lifestyle. Seibert's work not only influenced the architectural community but also left a lasting impact on the cultural and historical fabric of Sarasota.
In addition to his architectural achievements, Seibert was a dedicated educator and mentor, sharing his knowledge and passion with future generations of architects. His legacy is preserved through his numerous projects and the continued admiration of his work by architects and enthusiasts alike.
Tim Seibert passed away in 2018, but his contributions to architecture continue to inspire and influence the field. His visionary designs remain a testament to the enduring appeal and relevance of the Sarasota School of Architecture.
Ralph Twitchell, born in 1907, was a pioneering architect and a foundational figure in the Sarasota School of Architecture, a movement known for its innovative approach to modernist design in Florida. Twitchell's architectural journey began after studying at the Georgia Institute of Technology and the University of Pennsylvania, where he honed his skills and developed a keen interest in modern architecture.
In the 1940s, Twitchell moved to Sarasota, Florida, where he became a central figure in the development of the Sarasota School. This architectural movement was characterized by its emphasis on regional modernism, focusing on creating structures that were both aesthetically pleasing and responsive to the local climate. Twitchell's designs often featured open floor plans, extensive use of glass, and a seamless integration with the surrounding environment.
One of Twitchell's most significant contributions was his collaboration with fellow architect Paul Rudolph. Together, they designed several iconic buildings that exemplified the principles of the Sarasota School, including the Cocoon House and the Revere Quality House. These projects showcased Twitchell's ability to blend form and function, creating spaces that were both innovative and livable.
Throughout his career, Twitchell was known for his commitment to pushing the boundaries of architectural design. His work not only influenced the architectural landscape of Sarasota but also left a lasting impact on modern architecture as a whole. Twitchell's designs continue to be celebrated for their creativity, functionality, and harmony with the natural environment.
Ralph Twitchell passed away in 1978, but his legacy endures through his groundbreaking work and the continued influence of the Sarasota School of Architecture. His visionary approach to design remains an inspiration to architects and enthusiasts around the world.
Victor Lundy, born in 1923, is celebrated as a visionary architect and a key contributor to the Sarasota School of Architecture, a movement known for its innovative and climate-responsive designs. Lundy studied architecture at Harvard University under the guidance of Walter Gropius, a founder of the Bauhaus School, which profoundly influenced his modernist approach. Lundy's architectural career took off in the 1950s when he moved to Sarasota, Florida. There, he became part of the Sarasota School, a group of architects who embraced modernist principles while adapting them to the subtropical climate of Florida. Lundy's work is characterized by its bold forms, structural innovation, and harmonious integration with the environment. One of Lundy's most iconic projects is the Warm Mineral Springs Motel, which exemplifies his ability to blend form and function with artistic flair. His designs often featured dramatic rooflines, extensive use of glass, and open spaces that blurred the boundaries between indoors and outdoors. Lundy's work in Sarasota also includes the striking St. Paul’s Lutheran Church, known for its soaring, tent-like roof structure. Beyond Sarasota, Lundy made significant contributions to architecture across the United States. His work includes notable projects such as the U.S. Tax Court Building in Washington, D.C., and several innovative churches and commercial buildings. Lundy's designs are celebrated for their creativity, structural ingenuity, and sensitivity to their surroundings. Victor Lundy's influence extends beyond his built work; he is also recognized for his contributions to architectural education and his ability to inspire future generations of architects. Although he eventually left Sarasota, his legacy within the Sarasota School of Architecture remains profound. Lundy's visionary designs continue to be admired for their artistic expression and enduring relevance in modern architecture.
Gene Leedy, born in 1928, was a distinguished architect and a prominent member of the Sarasota School of Architecture, a movement celebrated for its innovative and regionally responsive modernist designs. Leedy's architectural journey began after he studied at the University of Florida, where he developed a passion for modern architecture.
In the early 1950s, Leedy moved to Sarasota, Florida, where he joined the burgeoning Sarasota School of Architecture, under the Father & Son Zimmerman team and also Paul Rudolph. Then after serving in the military he returned to Sarasota to and opened his own firm in 1954 and then quickly relocated to Winter Haven, Florida, that same year. Leedy's most notable contributions to the Sarasota School is his pioneering work with precast concrete where he continued to push the boundaries of modern architecture. Gene Leedy's ability to create open, airy spaces that bring the outdoors in and the occupants out through extending interior structural lines with exterior spaces through glass walls and doors to walled courtyards. His work in Winter Haven includes a series of striking residential and commercial buildings which showcase his mastery of form and function, structural clarity, use of natural light, and strong connection to the environment further cemented his reputation as a visionary architect. Examples of Leedy's mastery can be seen in Winter Haven, including his personal residence, Haven Place appartments, the Chamber of Commerce Building, City Hall, the Strang residence and the Gene Leedy Architect Office, which Max Strang has purchased and uses for his own architectural firm's offices. Throughout his career, Gene Leedy received numerous accolades for his contributions to architecture, including recognition American Institute of Architects College of Fellows . His legacy endures through his innovative designs and the continued influence of the Sarasota School of Architecture. Leedy's work remains a testament to the power of modernist principles and their ability to create timeless, livable spaces. 
Frank Folsom Smith, born in 1930, is a celebrated architect known for his contributions to the Sarasota School of Architecture, a movement recognized for its innovative and climate-responsive designs. Smith's architectural career began after he graduated from the University of Virginia, where he developed a strong foundation in modernist principles. In the 1960s, Smith moved to Sarasota, Florida, where he became an integral part of the Sarasota School of Architecture. This group of architects was dedicated to creating structures that were not only aesthetically pleasing but also responsive to the unique subtropical climate of the region. Smith's work is characterized by its emphasis on natural light, open spaces, and a seamless integration with the surrounding environment. One of Smith's notable projects is Harbor Towers, which exemplifies his commitment to blending form and function. The design of Plymouth Harbor on the bay features innovative use of materials and architectural elements that harmonize with the coastal landscape, providing residents with both aesthetic appeal and practical living spaces. Throughout his career, Smith has been recognized for his ability to create spaces that are both functional and beautiful. His designs often incorporate sustainable practices and materials, reflecting his commitment to environmental stewardship. Smith's work extends beyond residential and public buildings; he has also been involved in urban planning and community development projects that emphasize sustainable growth and livability. At the age of 90 he worked with Albert Wooster & Co. to market and sell his concept "The Flex House" which was completed in 2024. A wonderful project that incorporates sustainability concepts such as PV solar and car charging, hurricane fortification, tight building envelope, superior insulation, thoughtful positioning on the lot to minimize solar heat gain, and more. A major feature of the "Flex Home" is it's flexible use to adapt to many occupant uses over time, with consideration for accessibility and universal design concepts with a space over the garage and for an elevator. This flex space has a full bath and can be configured as 2 bedrooms, or a large open space for office, hobby, studio, or live in caretaker space. The home is distinctively "Sarasota School of Architecture with a very modern vibe including a flat roof, large open spaces and walls of glass looking out to a walled courtyard and pool.
Jack West, born in 1922, was a prominent architect and a key contributor to the Sarasota School of Architecture, a movement celebrated for its innovative and climate-responsive modernist designs. West studied architecture at the University of Illinois and served in the U.S. Navy during World War II before moving to Sarasota, Florida, in the late 1940s. In Sarasota, West became an integral part of the Sarasota School of Architecture, a group of architects dedicated to creating structures that harmonized with the subtropical climate and landscape of Florida. West's work is characterized by its emphasis on simplicity, functionality, and a strong connection to the environment. His designs often featured open floor plans, extensive use of glass, and innovative building techniques that allowed for natural ventilation and light. Two of West's most notable projects are Sarasota City Hall and the Nokomis Beach Pavilion, which exemplifies his commitment to blending form and function. The pavilion's design features a series of concrete structures that provide shade and shelter while complementing the coastal landscape. This project, along with others like the Hilton Leech Art Studio also know as "The Round House", showcases West's ability to create spaces that are both aesthetically pleasing and practical. Throughout his career, West was known for his collaborative spirit and dedication to architectural innovation. He worked closely with other members of the Sarasota School, including Paul Rudolph and Ralph Twitchell, contributing to the movement's development and success. Jack West's legacy is marked by his visionary designs and his contributions to the architectural heritage of Sarasota. His work continues to be celebrated for its creativity, structural ingenuity, and sensitivity to the environment. West passed away in 2010, but his influence endures through his iconic projects and the continued relevance of the Sarasota School of Architecture.
Phillip Hiss, born in 1910, was a visionary developer, educator, and patron of architecture who played a crucial role in the development and promotion of the Sarasota School of Architecture. Although not an architect himself, Hiss's influence and support were instrumental in shaping the architectural landscape of Sarasota, Florida, during the mid-20th century. Hiss moved to Sarasota in the 1940s and quickly became a central figure in the community's cultural and architectural evolution. He recognized the potential of Sarasota as a hub for modernist architecture and was committed to fostering an environment where innovative design could flourish. Hiss's vision was to create buildings that were not only aesthetically pleasing but also responsive to the subtropical climate and lifestyle of Florida. One of Hiss's most significant contributions was his development of the Lido Shores neighborhood, where he commissioned several prominent architects, including Paul Rudolph, Ralph Twitchell, and Tim Seibert, to design homes that embodied the principles of the Sarasota School. These homes featured open floor plans, extensive use of glass, and a seamless integration with the natural environment, setting a new standard for modernist residential design. In addition to his work in real estate development, Hiss was a passionate advocate for education and the arts. He played a key role in the establishment of the New College of Florida, where he served as the first chairman of the board. His commitment to education and architecture helped cultivate a community that valued creativity and innovation. Phillip Hiss passed away in 1988, but his legacy endures through his contributions to the Sarasota School of Architecture and his impact on the cultural and educational landscape of Sarasota. His vision and support helped shape a movement that continues to inspire architects and designers today.
William J. Rupp, born in 1927, was a distinguished architect and a key contributor to the Sarasota School of Architecture, a movement celebrated for its innovative and regionally responsive modernist designs. Rupp studied architecture at the University of Florida, where he developed a strong foundation in modernist principles that would later define his career. In the 1950s, Rupp moved to Sarasota, Florida, where he became an integral part of the Sarasota School of Architecture. This group of architects was dedicated to creating structures that harmonized with the subtropical climate and landscape of Florida. Rupp's work is characterized by its emphasis on simplicity, functionality, and a seamless integration with the environment. His designs often featured open floor plans, extensive use of glass, and innovative building techniques that allowed for natural ventilation and light. One of Rupp's most notable projects is the Healy Guest House, also known as the Cocoon House, which he co-designed with Paul Rudolph. This project exemplifies Rupp's ability to blend form and function, featuring a unique roof structure and a design that maximizes the connection between indoor and outdoor spaces. The Cocoon House remains an iconic example of the Sarasota School's architectural philosophy. Throughout his career, Rupp was known for his collaborative spirit and dedication to architectural innovation. He worked closely with other members of the Sarasota School, contributing to the movement's development and success. Rupp's influence extended beyond Sarasota, as he later moved to the Northeast, where he continued to practice architecture and contribute to the field. William J. Rupp's legacy is marked by his visionary designs and his contributions to the architectural heritage of Sarasota. His work continues to be celebrated for its creativity, structural ingenuity, and sensitivity to the environment. Rupp passed away in 2002, but his influence endures through his iconic projects and the continued relevance of the Sarasota School of Architecture.
Mark Hampton, born in 1940, is recognized as a significant architect who contributed to the legacy of the Sarasota School of Architecture, a movement known for its innovative and climate-responsive modernist designs. Hampton's work is characterized by its emphasis on simplicity, functionality, and a deep connection to the natural environment, principles that align with the ethos of the Sarasota School. Hampton studied architecture at the University of Florida, where he developed a strong foundation in modernist design principles. After completing his education, he moved to Sarasota, Florida, where he became involved with the architectural community that was pushing the boundaries of traditional design to create structures that harmonized with the subtropical climate of the region. Throughout his career, Hampton was known for his ability to blend form and function, creating spaces that were both aesthetically pleasing and practical. His designs often featured open floor plans, extensive use of glass, and innovative building techniques that allowed for natural ventilation and light. This approach not only enhanced the livability of his buildings but also reflected a commitment to sustainability and environmental stewardship. One of Hampton's notable projects is the renovation and expansion of the Sarasota High School, originally designed by Paul Rudolph. Hampton's work on this project demonstrated his respect for the original modernist design while incorporating contemporary elements that addressed the needs of a growing student population. Mark Hampton's influence extends beyond his built work; he has been an advocate for preserving the architectural heritage of Sarasota and has contributed to the education of future architects through mentorship and community involvement. His legacy within the Sarasota School of Architecture is marked by his innovative designs and dedication to creating spaces that enhance the quality of life for their inhabitants.
Mary Rockwell Hook, born in 1877, was a pioneering architect whose work predated and influenced modern architectural movements, including the Sarasota School of Architecture. Although not directly associated with the Sarasota School, her innovative designs and approach to architecture left a lasting impact on the field. Hook was one of the first women to graduate from the prestigious architecture program at the École des Beaux-Arts in Paris. Her education and experiences in Europe greatly influenced her architectural style, which combined traditional elements with modernist principles. She was known for her ability to integrate buildings with their natural surroundings, a hallmark of the Sarasota School. Throughout her career, Hook was a trailblazer for women in architecture, overcoming significant barriers in a male-dominated profession, notably she was not admitted into the AIA, although in 1977 at the age of 100 she was awarded plaque for distinguished service. She established her practice in Kansas City, Missouri, where she designed numerous residential and public buildings. In 1935 she purchased 55 acres of gulf front land on Siesta Key just north of what is now know as Siesta Key Village. On this land many of her designs were used in developing Whispering Sands as a hotel and resort she intended for use as winter retreat for artists and writers. Sandy Hook next door she envisioned as a homes and an incubator for the innovative architects who would later be known as the Sarasota School of Architects. Notably Sandy Hook residents included: Victor Lundy, Tim Seibert, Tollyn Twitchell, Frank Folsom Smith, Jack West, Jim Holiday, William Rupp, and She herself spent the last years of her life in an octagonal house she designed in her Sandy Hook development. Her work often featured innovative use of materials, open floor plans, and a strong connection to the environment, principles that resonated with the later Sarasota School architects. One of Hook's most notable projects is the design of her own home, known as "The Rockhill," in Kansas City. This residence exemplifies her ability to blend form and function, with its unique use of stone and integration into the hillside landscape. Her designs often included elements such as terraces, large windows, and natural materials, creating harmonious and livable spaces. Mary Rockwell Hook's legacy is marked by her pioneering spirit and her contributions to the field of architecture. Her work continues to be celebrated for its creativity, structural ingenuity, and sensitivity to the environment. Hook passed away in 1978, but her influence endures through her innovative designs and her role as a trailblazer for women in architecture. Her approach to integrating buildings with their natural surroundings remains relevant and inspiring to architects today and is worthy of study and reverence.
Tollyn Twitchell, born in 1928, and the son of Ralph Twitchell, Tollyn was immersed in the world of architecture from an early age, which profoundly shaped his career and design philosophy. Tollyn Twitchell studied architecture at MIT, where he honed his skills and developed a deep appreciation for modernist principles. After completing his education, he returned to Sarasota, Florida, to work alongside his father briefly before starting his own firm Twitchell and Allen Architects-Planners, PA and then The Twitchell Group Architects, PA This group was dedicated to creating structures that harmonized with the subtropical climate and landscape of Florida, emphasizing simplicity, functionality, and a strong connection to the environment. Throughout his career, Tollyn Twitchell contributed to various residential and commercial projects that embodied the Sarasota School's ethos. His designs often featured open floor plans, extensive use of glass, and innovative building techniques that allowed for natural ventilation and light. These elements not only enhanced the livability of his buildings but also reflected a commitment to sustainability and environmental stewardship. One of Tollyn's notable projects is The ZigZag house (for Rita Adler) on Lido Shores just next to Hiss Studio, with the ZigZag roof line and triangles of glass this is an iconic Sarasota School of Architecture stucture. His work on residential homes that seamlessly integrate indoor and outdoor spaces, a hallmark of the Sarasota School. Commercially he designed the original Gulf Gate Elementary School (which was torn down and a new larger building was constructed), Unitarian Universalist Church of Sarasota on Fruitville Rd., Jefferson Center (a senior housing high rise funded by the Unitarian Universalist Church) on US41 across from the Van Wezel performing arts hall, and Sailor Circus Arena. His ability to blend form and function has left a lasting impact on the architectural landscape of Sarasota. Tollyn Twitchell's legacy is marked by his dedication to architectural innovation and his contributions to the Sarasota School of Architecture. His work continues to be celebrated for its creativity, structural ingenuity, and sensitivity to the environment. Through his designs and influence, Tollyn has helped to preserve and advance the principles of the Sarasota School, inspiring future generations of architects.
Ralph Waldo Zimmerman (1889-1976) and his son William Wallace Zimmerman (1916-1981) were a father-and-son architectural team whose work significantly contributed to the Sarasota School of Architecture. Originally hailing from Chicago, the Zimmermans were part of a lineage of architects, with Ralph's father, William Carbys Zimmerman, also being a notable figure in the field. Ralph moved to Sarasota in 1937, attracted by the burgeoning architectural scene and the opportunity to explore modernist design principles. His son William, after studying architecture at MIT, joined him in 1944. Together, they embarked on a series of projects that left a lasting mark on Sarasota's architectural landscape after building a dozen homes including 344 Monroe on St. Armands, 850 Mangrove Point on Siesta Key's bay side which was lovingly restored and added on to by Carl Abbott (another member of the Sarasota School of Architecture) Another of their notable projects that was saved demolition and instead remodeled lovingly restored is 1201 Center Place on Lido Shores with it's pecky cypress and floor to ceiling sliding glass doors beach bungalow, constructed in 1952. This bungalow exemplifies the Sarasota School's emphasis on simplicity, functionality, and integration with the environment. The use of pecky cypress adds warmth and character, while the extensive glass allows for natural light and a seamless connection with the outdoors. The Zimmermans designs often featured open floor plans and innovative building techniques that promoted natural ventilation and light. In addition to residential projects, Ralph and William Zimmerman designed significant public buildings, including the original Brookside Junior High in 1955 and Booker Elementary School in 1957. These projects showcased their ability to apply modernist principles to educational facilities, creating functional and inspiring spaces for learning. Ralph retired in 1957 and pursued his passion for sailing, embarking on a journey to the South Pacific in a boat he built himself. William continued his architectural career, moving his office to Naples, Florida, in 1961, and later to Berkeley, California, where he served as the City Planner until his death in 1981. The Zimmermans' legacy is marked by their contributions to the Sarasota School of Architecture and their commitment to innovative design. Their work continues to be celebrated for its creativity and sensitivity to the environment, inspiring future generations of architects.
Phil Hall is a celebrated figure in the Sarasota School of Architecture, he owned a contemporary interior design studio and furniture showroom and often when homes were complete there was no money left for furnishings and Hall would lend truckloads of great mid-century (then just considered contemporary) furnishings so that great photography could be taken for sales and magazine promotions. After the photos were taken the furniture would be trucked back to Hall's showroom for use in another home. It was a great win-win for everyone and exemplified the collaborative effort everyone of this era and area had with each other.
"As a fan of the modernism movement, new and old, I follow and track what is happening and would be glad to help buyers and sellers transact sales of all these cool homes!" - Albert Wooster
Sarasota Mod Weekend is a chance to celebrate, tour and learn about Sarasota School of Architecture, Mid-Century Moderns, and Modern architecture in the beautiful subtropical climate of Sarasota, Florida. In November of each year (1st or 2nd weekend) the weather is usually spectacular and there are parties to rub elbows with architects, fans and friends in iconic homes, and buildings like The Umbrella House designed by Paul Rudolph (originally the residence of Phil Hiss). Hear lectures and Honor a specific figure in the movement known as Sarasota School of Architecture. Many fun events are also on the calendar such as Yoga at The Umbrella House under the umbrella by the pool, Kayak tours of iconic homes on the canals of Siesta Key, walking and driving tours to visit homes on Lido Shores, South Gate, and other neighborhoods that feature super cool homes you would never get to tour otherwise.
Mod weekend is organized by Architecture Sarasota and the success of it depends largely on volunteers, sponsors, donors and who care deeply about the preservation, celebration of the modern architectural movement that was coined as "The Sarasota School of Architecture"
